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Abbott and Costello Meet the Invisible Man: In this classic, Abbott and Costello are police detectives are trying to help a boxer (Franz) who has been framed by a mobster. With the aid of invisibility formula things spin out of control. The special effects are high quality for the time. Bud Abbott, Lou Costello, Arthur Franz, Sheldon Leonard star in this film. (1951 Comedy-Sci-Fi)

Black Girl: One of the best black-oriented films of the 1970s center of focus~ the complicated relation between the title personality petit, a striving dancer, and her spiritually naive mommy Stubbs. Well performed by the complete cast; inscribed by 1. E. Franklin, and based on her play. Cast includes Brock Peters, Leslie Uggams, Claudia McNeil, Louise Stubbs, Gloria Edwards, Peggy Petit, and Red Dee. (97 minutes, 1972)

Scrooged: A humorous take on the famous Dickens’ novel, A Christmas Carol. Set in modern times, Fran Cross runs a TV station, and doesn’t really appreciate the Christmas spirit. The three ghost of Christmas past, present and future join forces to set Frank straight.

Rebecca of Sunnybrook Farm: Formulaic motor vehicle in regards to spunky gal who’s sent to live with her 2 abrasive aunts; mixes emotion, melodrama, and comedy, although requires the spontaneity and kindle of other Pickford films. Look for youthful ZaSu Pitts, in her film debut, as an observer at Mary’s carnival. Cast includes Mary Pickford, Eugene O’Brien, Josephine Crowen, and Helen Jerome Eddy. (71 minutes, 1917)

Gone in Sixty Seconds: Former car thief (Randall ‘Memphis’ Raines), gets a call from an old friend. Unfortunately he is being forced back into stealing cars. If he refuses his brother will be killed. He has one day to steal, and deliver 50 exotic cars, to save his brother from certain death.

Disgrace Sheet: Immersing melodrama in reference to an ambitious editor accidentally slaughters his ex-wife, then finance journalists examining the tale. Cast includes Broderick Crawford, Donna Reed, John Derek, Rosemary DeCamp, and Henry O’Neill. (82 minutes, 1952)

Home of Wax: Redo of Puzzle of the Wax Museum megastars Cost as vengeful sculptor who re-erects his fire-obliterated showplace by utilizing human being sufferers as wax computes. Most trendy of the epoch’s three-D films, a status it retains this present day. This is the film that launched Cost on his terror film cycle after fifteen years of “un-crooked” roles. Cast includes Vincent Cost, Blunt Lovejoy, Phyllis Kirk, Paul Picerni, Carolyn Jones, Paul Cavanagh, and Charles Bronson. (88 minutes, 1953)

Absolute Power: Alan Richman, the President of the United States, gets a little too rough with Christy, the lady he is having an affair with. When she grabs a letter opener and fights back, she is shot dead by two secret service agents. A burglar was in the house and witnessed the whole event. He gets away, and takes the letter opener as evidence of what really happened. Now he is on the run, as the people in power want to take down the only man that can expose the truth.

The Man in the Gray Flannel Suit: Sloan Wilson’s smooth novel of Madison Avenue executive battling to get ahead and to find meaning in his home life. Great cameo by Ann Harding who plays March’s spouse. Inscribed by the controller; music by Bernard Herrmann. Cast includes Gregory Poke, Jennifer Jones, Fredric March, Marisa Pavan, and Henry Daniel. (153 minutes, 1956)

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